2008
This year the unit will propel its investigation into Protoarchitecture through questions of self-sufficiency, interdependency, adaptation, synthesis and ephemeralization. In the first half of the year, we will adopt the bombarded hulk of Orfordness in Suffolk as our laboratory bench upon which to conjure, invent and breed a new species of architectural construct. As a growing and shifting appendage upon a disintegrating coastline, the shingle promontory bears the physical and vivid evidence of significant experimental intervention.
The Ness has been home to the Armament Experimental Flight (1915), it is also where Robert Watson-Watt began and carried out his pioneering work on Radar (1935-37), later it became a Ballistic Experiments Station (1938-59), and afterwards a test bed for the Atomic Weapons Research Establishment (1950-71). Now in the ownership of the National Trust, the Ness is a designated area of Special Scientific Interest, a RAMSAR site, an EU Special Protection zone, and a National Nature Reserve. It is an extraordinary catalogue of our paradoxical behaviour on survival and its impact upon ecology.
Upon this ‘tabula’ individuals in the unit will be asked to take a position on making experimental architecture for an unprecictable future. Some may wish to form a robust challenge upon the blanket preservation of the site; others may seek amongst its micro environment, a cause for critical reassessment. Some may envision new trajectories upon its ephemeral and temporal aura, and others may transpose its context and deploy a programme of hypothetical purpose. The outcome of the many and varied projects we anticipate will determine the direction of individual design research in the second half of the year, where some projects may remain on the Ness, others will migrate.
Now in its fifth iteration, the unit continues to pioneer and establish innovative and critical positions between analogue and digital design. We shall continue to transgress disciplinary protocols between the ideal and the real by infiltrating realms of architectural production beyond reach of the desk bound designer. Our tools are melded with those of the seamstress, the silversmith, the clockmaker, the mason, the cabinetmaker and their digital siblings. Our knowledge evolves through tacit experience and inquisitive intuition; through critical imagination and tactile experimentation; through the actions of forming, honing, assembly and testing; and with every step, extrapolation and proposition.
Unit 23 field trips are organised to visit significant figures and their places of work or production. In 2005-06, we dropped in on the great Walter Pichler in Burgenland, in 2006-07 we landed in Newbern to get our hands dirty with Rural Studio, and in 2007-08 we hooked up with Mark Burry’s team on the spires of the Sagrada Familia. This year we hope to take this tradition forward by visiting Naoshima Island and Koshirakura Landscape Workshops in Japan. This trip will take place in February only if pending applications for subsistence funding and sponsorship are successful. If not, alternatives will be organised, such as a visit to see Theo, or his Belgian brother, the maker of lead spaceships.
In December 2008 the unit will be invited to the unveiling of sixteen*(makers) inaugural shelter for Kielder Park, a Protoarchitectural event of unfathomable magnitude and unearthly excitement. Sure to put fire in every U23 belly.
Note: Ephemeralization is a term coined by R. Buckminster Fuller. It refers to the ability of people to use technological advances to continuously do more with less. Fuller’s vision was that ephemeralization will result in ever increasing standards of living for an ever growing population despite finite resources. Students of the unit are invited to take their own view on Bucky’s theory.
- Bagsværd Community Church 1974-76 [John Utzon]
- Bak Community Centre 1985-88 [Imre Makovecz]
- Bank of London, Bueno Aires 1959 -1966 [Clorindo Testa]
- Blur, Yverdon-les-Bains. Swiss Expo 2002 [Diller Scofidio + Renfro]
- CERN. 1954-present
- Curtain Wall House, Tokyo 1995 [Shigeru Ban]
- E-1027, Roquebrune Cap Martin 1929 [Eileen Gray]
- House, Pacific Palisades 1945-49 [C. and R. Eames, Eero Saarinen]
- Einstein Tower, Potsdam 1919-21 [Erich Mendelsohn ]
- Engineering Bld, Leicester 1959-63 [Higgs, Stirling, Wilford, Gowan]
- Gehry Residence, Santa Monica 1978 [Frank Gehry]
- Hedmark Museum, Norway 1967-79 [Sverre Fehn]
- Igualada Cemetry, Barcelona 1984-94 [Miralles Pinós]
- Jewish Museum, Berlin 1999 - 2001 [Daniel Libeskind]
- Johnson Wax, Racine 1936-39 [Frank Lloyd Wright]
- La Chiesa dell'Autostrada del Sole 1964 [Giovanni Michelucci]
- La Tourette, Eveux-sur-Arbresle 1957-60 [Le Corbusier]
- Maison de Verre, Paris 1927-32 [Pierre Chareau and Bernard Bijvoet]
- Mason's Bend Community Centre 2000 [Rural Studio]
- Olympic Stadium, Munich 1972 [Frei Otto]
- Osaka Folly 1990 [Peter Salter and Chris MacDonald)
- Philharmonic Hall, Berlin 1956-63 [Hans Scharoun]
- Phillips Pavilion, Brussels 1958 [Le Corbusier]
- St Martin an der Raab, Burgenland 1971-present [Walter Pichler]
- Restaurant, Xochimilco, Mexico 1958 [Felix Candela]
- Ricola Storage, Laufen 1987 [Herzog & de Meuron]
- Robin Hood Gardens, London 1968-72 [Peter and Alison Smithson]
- Rooftop, Falkestrasse, Vienna 1983-88 [Coop Himmelb(l)au]
- San Francisco Federal Bld 2005-07 [Morphosis]
- Schroder house, Utrecht 1923-24 [Gerrit Rietveld]
- Soane Museum, London 1792-1824 [Sir James Soane]
- St Peter's, Klippan 1963-66 [Sigurd Lewerentz]
- Stonehouse, Steindorf 1983-present [Gunther Domenig]
- Storefront, NYC 1992-93 [Stephen Holl and Vito Acconci]
- Swiss Pavilion, Hannover Expo 2000 [Peter Zumthor]
- TWA Terminal NYC 1956-62 [Eero Saarinen]
- Villa Mairea, Noormarkku 1937-39 [Alvar Aalto]