Banham, R. Theory and Design in the First Machine Age
(Architectural Press) 1960
Pye, D. The Nature and Art and Workmanship
(Herbert) 1968
Potter, N. What is a Designer: Education and Practice
(Littlehampton) 1969
Vonnegut, K. Player Piano
(Delacorte Press) 1973
Pye, D. The Nature and Aesthetics of Design
(Herbert) 1978
Weschler, L. Seeing is forgetting the name of the thing one sees
(UCP) 1982
Boyarsky, A., Salter, P. Intuition And Process
(Architectural Association Themes) 1989
Nicholson, B. The Appliance House
(MIT) 1990
Potter, N. Models and Constructs: Margin Notes to a Design Culture
(Hyphen) 1990
Groák, G. The Idea Of Building: Thought And Action In The Design And Production Of Buildings
(E & FN Spon) 1992
Cook, P. The Primer
(Wiley) 1995
Evans, R, Translations From Drawing To Building And Other Essays
(AA Documents) 1996
McCullough, M. Abstracting Craft
(MIT) 1996
Phillips, P., Reite, W. Vessels And Fields
(MIT Press) 1999
Callicott, N, The Pursuit Of Novelty - Computer Aided Manufacturing In Architecture
(Architectural Press) 2001
Hill, J. The Illegal Architect
(Black Dog ) 2001
Deplazes, A. (ed) Constructing Architecture; Materials Processes Structures (Birkhauser) 2005
Design Through Making Architectural Design Vol.75, No 3. Profile 176
(Wiley) 2005
Spiller, N. Visionary Architecture: Blueprints of the Moderm Imagination
(Thames and Hudson) 2007
Thompson, R. Manufacturing Processes for Design Professionals
(Thames and Hudson) 2007
Cook, P. Drawing: The Motive Force of Architecture
(Wiley) 2008
Protoarchitecture - Between The Analogue And The Digital Architectural Design Vol.78, No 4. Profile 194
(Wiley) 2008
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Unit 23 operates as a critical practice
to establish and evolve the agendas,
methods, attitudes and directions
its graduates will take beyond
the institution. We approach the subject
and discipline of architectural
production as a broad and curious
field that oscillates between meaning
and means, representation and realisation,
experience and expertise. We
investigate and experiment within the
operations, protocols, roles, deceptions
and tales of making experimental
architecture. Students are expected
to take possession of their work
as critical research in developing
their knowledge, skill and ideas.
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